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恐怖熱線之大頭怪嬰國語

 Ben（吳鎮宇）是香港一檔電臺節目《恐怖熱線》的監制，忙于工作的他日漸疏忽女友Helen（周麗淇）。Helen是一名護士，曾瞞著Ben做掉腹中胎兒，此事令她難以釋懷，時常會看到幻象。Mavis（何超儀）是美國電視新聞網絡記者，她及攝影師等一行五人到港拍攝有關香港電臺文化的特別節目，第一個研究對象便是《恐》，但Ben并不友好，只準他們在直播室外拍攝。 某晚，《恐》主持人接到自稱Chris的男人來電，說1963年他與6個同學在西環踢足球時，無意中在球場附近的山洞內發現一只“大頭怪嬰”，當即嚇得魂飛魄散，甚至信奉伊斯蘭教的校長亦不能用手中的《可蘭經》將之制服。Chris的電話引來始料未及的熱烈回響，Ben與Mavis都決定對此展開深入調查，但兩人新聞出發點有異。幾乎同時，Helen所在的醫院接收了受到過度驚嚇的青少年Sam（李燦森），對他，Helen沒像其他護士一樣慌忙躲閃，相反親愛有加。 Mavis和Ben依據有限線索找到老校長的養女Connie（張佳佳），從她口中得知，Chris不久前曾同6個男人看過老校長。隨后《恐》直播時，主持人再次接到Chris的電話，但這次卻是對他們的詛咒。不久，Mavis的攝影師離奇死去，他拍下的影像顯示，當晚直播間里多出一個人影。Mavis和Ben展開更進一步調查，發現1961年的確有孕婦生下駭人的“大頭怪嬰”，Chris的6個同學也早已集體自殺。而Ben在向Helen求婚之后，Helen的行為卻在某夜發生異變，她來到醫院，將Sam帶到一陌生地。

永恒的友誼

 　　1945年，抗日戰爭勝利的前夕，日寇放火燒毀了東北某一村鎮。幫助我國抗日的蘇聯紅軍隨軍女護士梅什科娃，在烈火中救出中國兒童小虎子，把他送到蘇軍醫療站去救治。小虎子得救了，他的父母為了感謝梅什科娃，送給她一個象征吉祥如意的百家鎖，梅什科娃也把刻有父名安德烈依的懷表送給小虎子留作紀念。第二次世界大戰結束后，梅什科娃回到蘇聯改學地質，十余年后，作為地質專家，被中國聘請到中國西北工作。小虎子名叫李青，從部隊轉業到新疆某地質勘探隊工作。動身前，父親李哲明把那塊值得紀念的懷表交給了他。李青恰好與梅什科娃工作在一個地質隊，但他們已互不相識了。地質隊的姑娘們從梅什科娃的皮包里發現了那個百家鎖，追問根源，得知了百家鎖的由來。梅什科娃由于忘我地工作，積勞成疾，患j’嚴重的胃病。一次胃病發作，地質隊員們冒著狂風暴雨，穿過沼澤地帶，要把她送到額爾齊斯河對岸的醫院去。但因河上...

海軍罪案調查處第十季

 NCIS是Naval Criminal Investigative Service的縮寫，直譯過來就是海軍罪案調查處。這個隸屬五角大樓的特別部門，專門從事與海軍以及海軍陸戰隊有關聯的任何罪案調查。海軍調查處被賦予了特殊的調查權，只要是案情需要，任何人都必須接受質詢無論職務和軍銜高低。NCIS小組每次都會遇到各式不同的案情，從謀殺、緝毒、諜報活動、到反恐行動、甚至是神秘宗教，無奇不有。

神探蒲松齡(普通話版)

 一代文豪蒲松齡執陰陽判化身神探，與捕快嚴飛聯手追蹤金華鎮少女失蹤案蒲松齡帶領“豬獅虎”“屁屁”“忘憂”“千手”等一眾小妖深入案情，在找尋真相的過程中，牽扯出一段曠世奇戀。

靈魂刺殺令（英語版）

 一名男子死于一項實驗性軍事計劃，一名前秘密行動士兵為了他尋找殺害他的兇手。

我還是覺得不妥SP

 本作品的主人公是3人組“ponpocoppy”的一員·上新井田綠。視頻的播放數停滯不前的上新井田，被創立了“讓可愛的女孩接近至今為止好像和誰都沒有交往過的男人”的紀實企劃的伙伴拉上，自己成為了被實驗者。上新井田接近了不受歡迎的男人·石橋涉，并開始與他交往，但逐漸產生了罪惡感。

歐洲的某個地方

 Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

皇城根兒

 金一趟（葛存壯 飾）是一名擁有著豐富經驗的老中醫，他的獨門秘方“再造金丹”能夠治好各種疑難雜癥，而金丹的秘方只有金一趟自己一人知道。金一趟有兩個女兒金秀（宋佳 飾）和金枝（許晴 飾）。金秀在和張全義（孫淳 飾）結婚后久久沒有懷孕，這可急壞了金一趟。一次偶然中，金一趟見到了一名棄嬰，收留了他取名金興。在一連串的意外和波折之后，金秀成為了金興的養母。 　　金枝結識了名為徐伯賢（馬紅鷹 飾）的男子，徐伯賢經營著一家公司，一心想要得到再造金丹的配方，將它批量化生產以獲得巨大的利益。再造金丹的存在讓眾人紛紛被卷入了陰謀和感情的漩渦之中。

一不小心愛上你2011

 電影導演庫什（伊姆蘭汗 Imran Khan 飾）在兄弟白賽博（阿里?札法 Ali Zafar 飾）的請求下從倫敦飛回印度尋覓合適的結婚對象。然而一次又一次的相親見面不僅未能讓他替兄弟尋覓到佳偶，反而遇到了一系列的怪人怪事。無奈下，庫什在報紙上為白賽博刊登了大幅的征婚廣告，在被各種來電詢問騷擾的焦頭爛額的時候，他終于接到了一個非常合心意的電話。在庫什的努力下，兩家人在女方家見面，一拍即合的婚事立馬提上了日程，然而令他未能預料的是，相親的女孩竟然是大學偶遇過的性感叛逆的女孩小酒窩（卡特莉娜?卡芙 Katrina Kaif 飾）。在婚禮前的這段日子里，庫什代替遠在倫敦的哥哥陪小酒窩一起準備操持。朝夕相處讓這對早年就互生好感的男女感情漸深，愛上了彼此。于是他們決定找來白賽博還深愛著的前女友皮亞麗，來演一場私奔的愛情喜劇。

戰國奇緣

 為擺脫父母對于自己命運的擺布，追尋自我，身為富二代的她不惜放棄富裕的家境，輾轉到了戰國時期的齊國臨淄。在這期間，她與一名齊國貴族公子相遇、相知、相戀，殊不知，她也因此被卷入王室成員間的利益角逐之中。 　　手無縛雞之力的她憑借自己的智慧與能力，從不諳世事的小姑娘蛻變成為悟得生命意義與自我價值的成熟女性，成為了那個想要的自己，也收獲了真摯的愛情。

地下世界2020