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靈魂戰車

 約翰尼·布雷澤（尼古拉斯·凱奇 飾）本是摩托車特級演員，當他發現父親身患癌癥之時，他與惡魔梅菲斯特簽訂了契約。他自己變身幽靈車神，為惡魔服務。對惡魔的要求言聽計從的約翰尼，白天是星光燦爛的特級明星；夜間一身皮裝、身體化為骷髏、身披布滿刺釘的戰袍，開動摩托車，替惡魔追捕那 些 窮兇極惡之人。但約翰尼漸漸發現，最大的惡魔便是梅菲斯特，他開始在正義與邪惡之間游走。愛人洛克希安妮（伊娃·門德斯 飾）令約翰尼鼓起勇氣，他心中做出了一個決定。

V字仇殺隊(原聲版)

 未來的英國社會處于極權統治的高壓下，不能容許同性戀者、異教徒等社會角色的存在，人民在黑暗政權下茍延殘喘這晚，年輕女子艾薇（娜塔麗·波特曼 Natalie Portman飾）身陷險境，幸得V（雨果·維文 Hugo Weaving飾）相助。V是一個永遠帶著面具的神秘男子，擁有高智商和超凡戰斗力。V繼承了前革命英雄的使命，為了推翻荒唐極權的統治階層，他成立了神秘的地下組織，摧毀了倫敦的標志性建筑，點燃了反政府的熊熊烈火。艾薇和V深入接觸，不僅得知了V的神秘使命，還漸漸發現原來自己的身世，注定了自己和V是同一條陣線的人。

生命之路

 本片由《蕎麥花開的日子》、《春天》、《好運之日》三個故事組成，三個故事均改編自韓國當代作家的短篇小說。《蕎麥花開的日子》講述了一個上了年紀的小販對往事的追憶；《春天》則是一個年輕人在岳父家干了三年活，卻始終結不上婚的喜劇；《好運之日》描繪了一個人力車夫的悲慘遭遇。

夏威夷特勤組第四季

 CBS臺到目前為止續訂了十八部劇集，其中包括《夏威夷特警 Hawaii Five-O》

揚名立萬

 　月黑風高之夜，一群電影人被秘密召集到一起，欲將轟動一時的血案翻拍成電影，借此揚名立萬。殊不知他們正身處案發現場，并步步陷入一個巨大迷局之中，而兇手就在他們中間……　　伴隨著利欲熏天的創作風暴，案件背后的故事似乎也更加撲朔迷離，戲中戲、案中案、局中局、人外人，環環相扣，一場野心與良心的較量愈演愈烈。究竟是命懸一線，還是另有驚天逆轉？愛與溫暖的血色花又能否從快將干涸的血河中終極綻放？一切都有待揭開。

我不是瘋子

 這里講述了一個患有精神分裂癥的心理醫生試圖幫助一個躁郁癥女孩走出內心陰霾，又同時完成自我的救贖的故事。 心理醫生韓東因為童年的陰影和病人去世的影響，導致精神分裂，從而面對醫院的停職和強行治療。韓東逃出醫院，落魄的他在城市中承受著人們異樣的眼光，顛沛流離，只為實現病人橘子最后的念想。然而事實總不如愿。 韓東遇到了同樣被生活折騰得支離破碎的女孩林可馨。可馨從小父母離異，母親跟了別的男人，奶奶車禍過世，只留下金毛犬好帥跟她相依為命，以賣餅為生。 韓東與可馨相遇相識，他渴望幫助可馨走出悲痛，也希望能因此實現自我。 他僅僅是需要一個沒有偏見的善意，需要有一個人來認同他的觀念和行為，做到真正的信任和理解。

不安分的年輕人們

 Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as Fran?ois Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma fran?ais in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

生命之源

 　　影片由奧斯卡·羅勒根據由他自己創作的小說《出身》改編成電影。故事的時間跨度從二戰結束后的1949年一直延續到80年代，講述了聯邦德國一個家庭祖孫三代人的故事。羅伯特·弗賴塔格(雷納德·施萊舍)的祖父埃里希(約根·沃格爾)，一個戰俘，在逃亡中將自己的妻子托付給另一個女人。羅伯特的父母，作家諾拉和羅爾夫，因一場桃色事件而相互折磨，并為了追求自我實現和自由戀愛而走向毀滅。羅伯特自己，在祖父母充滿安全感的家庭和68年代被壓抑的生活間成長，一直在艱難地尋找屬于自己的幸福。by:yakubd.cc

意外的愛

 　　Kate Mayer (Leslie Hope) seems to have it all: a nice suburban house, two loving children and a devoted husband. But Kate is anything but happy. She is disappointed not only with her marriage, but with her entire life. In her pursuit of happiness, this

三花貓福爾摩斯的推理

 刑警該具備的素質中，片山義太郎（相葉雅紀 飾）可謂十個有九個都不具有。該有的果斷、勇氣、大膽到了片山身上成了恐高癥、幽靈恐懼癥等各種標注膽小的弱點。片山的弱點讓他深刻的認識到自己居然是警察是件多么不合理的事情。于是整日想著遞交辭呈的片山卻因為狂熱的推理愛好者，自己的哥哥片山浩史（藤木直人 飾）和果斷的妹妹片山晴美（大政絢 飾）勸他不要放棄警察這個職業而止步，不敢抗拒二人的片山只得咬牙堅持著。直到有一天，事情發生了轉機，在路上，片山邂逅了一只奇異的三色貓。這只貓開啟了他之后如有神助的破案之旅…… 　　本劇改編自赤川次郎的同名推理小說。

約會～戀愛究竟是什么呢～

 29歲的藪下依子（杏 飾）是一名生活極度規律甚至到了偏執刻板的女性，她畢業于名門學府，以公務員的身份過著平穩生活，對凡事錙銖必較，喜歡拿數字說話，偶爾還和早已去世的母親（和久井映見 飾）對話爭吵。為了安撫老爸（松重豐 飾）的情緒，對現代人的愛情觀全不認同的她不得已走上婚活的戰線。與此同時的另一方，現年35歲的谷口巧（長谷川博己 飾），是一位自詡為“高等游民”的資深啃老族，他日常倦在家里看書、看電影，生活起居全靠老娘（風吹純 飾）照顧，為了在母親去世后找到一張長期飯票，他只得硬著頭皮和三次元的女性約會。 　　兩個奇葩男女初次會面，彼此均無特殊好感，卻因各自腦洞大開的婚姻愛情觀而一拍即合，他們的約會中可會有愛的產生？

朽木2019

 HBO正式宣布電影版[朽木]將于10月開機，有望明春播出。去年便已傳出《朽木》編劇大衛·米爾契已完成了電影版劇本。劇版于2004年至2006年播出了三季，但粉絲始終沒有迎來最終的大結局，該劇故事圍繞美國疆界之外的一個礦鎮展開。此前有消息稱原劇眾卡司均有望回歸，包括伊恩·麥柯肖恩、蒂莫西·奧利芬特、約翰·浩克斯、莫莉·帕克、布拉德·道里夫等。