民彩网

幻夜

 《幻夜》改編自東野圭吾的同名長篇小說，被視為《白夜行》姐妹篇。一九九五年一月十七日清晨，阪神發生大地震。為了擺脫父親生前的欠下的債務，水原雅也（冢本高史飾）趁亂砸死了來為父親守夜的舅舅。不料殺人罪行被一名神秘女子當場目擊。女子自稱新海美冬（深田恭子飾），雙親也在這場震災中罹難，舉目無親的她愿意為雅也守住殺人的祕密。雅也為美冬的美貌所折服，漸漸愛上這個女人，兩人約定忘記這里的一切前往東京展開新生活。美冬憑藉其美貌、肉體與手腕魅惑男性，一步步構筑她的上流夢想帝國；而途中所有的阻礙，都交由雅也暗中協助處理，但他的生活卻從此見不得陽光。美冬的白天正是雅也的黑夜，連接兩人世界的唯有途徑便是一樁又一樁依照美冬指示的冷酷罪行。而刑警加藤亙（柴田恭兵飾）也在一樁樁看似沒有關聯的案件中發現了連接點——新海美冬，并開始追查一切線索。雅也會一直守護美冬嗎？而新海美冬是否就是她的真名？她，到底是誰？

華燈初上第二季

 “光”酒店的小姐們試圖找出殺死姊妹的兇手，秘密和謊言也隨之浮出水面。

你是我的蔥姜蒜

 餐廳老板娘赫玉瑤，憑祖傳秘方菜譜將餐廳開得味絕一方，她的生活和愛情也上演著一場場令人捧腹的笑劇。

貓狗大戰（粵語版）

 貓狗自古就水火不容，這部動畫更是將它們卷入一場勢不兩立的戰斗當中。在這里，貓是最邪惡不過的動物，它們貌似平靜溫順，卻在暗中緊鑼密鼓籌劃著統治地球的陰謀。狗則是人類最忠實的保護者，他們忠心耿耿，要把危害人類的貓類“趕盡殺絕”。獵犬小盧正是這么一只身負重任的狗。因為，它得知了貓們正在野心勃勃，要毀滅狗類進而威脅人類。

世界上的某個地方

 阿里斯塔雷恩90年代的電影代表作. 《世界上的某個地方》無疑是具有傳奇色彩的一部阿根廷影片, 不僅因為它的影片質量和藝術性上乘, 而且因為它獨一無二的傳奇經歷. 1992年, 阿根廷電影協會本來把此片作為參賽影片角逐當年的奧斯卡最佳外語片獎, 但后來考慮到影片題材敏感等問題臨時改變決定由另一部作品取代。導演一氣之下決定去他妻子的國家烏拉圭作為烏拉圭的官方參賽作品，因為他妻子的國籍是烏拉圭而且參與了小部分影片的編劇。后來這部完全由阿根廷國籍的導演，演員和主創人員拍攝，卻代表烏拉圭參賽的影片真的入圍了最后的角逐，而可笑的那部臨時更換的阿根廷參賽作品卻落選了。這讓奧斯卡最佳外語片評委會感到很難辦，影片確實優秀，但如果把獎頒給它就違反了一部影片只能代表大多數主創人員國籍的國家參賽的規定等于默許了這類事件，所以最后評委會還是以種種理由把獎給了另一部影片，雖然實際上這部影片才是其中最好的一部。導演一氣之下，決定永遠不在美國發行本片，而從此奧斯卡組委會也因此修改了規則使外語片的上報過程更透明和嚴格化。而本片也成為奧斯卡歷史上唯一的一部曾代表兩個不同國家的官方作品角逐最佳外語片的電影.

丹麥小村教堂

 The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. L?nborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merl?se Church.　　On 4 July, Dreyer went in advance to Ringk?bing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

NBA季中賽 爵士VS湖人 20231122

鷸蚌相爭

 本美術片為水墨動畫片，改編自《戰國策?燕策》中的寓言故事“鷸蚌相持”，拍竣榮獲多個國際獎項，包括1984年第34屆（西）柏林國際電影節最佳短片銀熊獎等。

護送錢斯

 2004年，美國在伊拉克的戰爭仍未有結束的跡象，而前方戰士的傷亡則一直在增加……美國海軍陸戰隊上校邁克（凱文·貝肯 Kevin Bacon 飾）接受了一項任務：護送一等兵錢斯的遺體回鄉安葬，盡管邁克與錢斯素不相識，后者又并非他的下屬，但參加過海灣戰爭的邁克認為有責任幫助這位科羅拉多同鄉入土為安。與此同時，錢斯和戰友們的遺體從歐洲的機場開始了回家之路，在凝重的氛圍中，他們的遺體被仔細的清理、編號，小心翼翼的擺放在靈車中……經過了相關禮儀的培訓后，邁克踏上了護送的路途，一路上，他感受到了形形色色美國民眾對于戰死他鄉的戰士的敬意，這不單是一次護送，同時也是邁克與死者的一次無聲對話……

深宅大院

 江城柳家的大小姐柳詩涵因為柳家落敗，而被迫嫁入馮家做妾，在馮家她遭遇了威嚴的婆婆，滿腹心計的大少奶奶和人不人鬼不鬼的大少爺。不僅如此，她的同父異母的妹妹碧城也進了馮家做了丫鬟，更讓她意想不到的是，在馮家她竟然還遇見了被她自己親手拋棄的初戀情人馮佑堂，而馮佑堂原來竟是馮家流落在外的二少爺。放下仇恨，其實比你自己想象的要簡單，當你決定放下一切，跨出那一步的時候，你就會發現外面的世界海闊天空。碧城沒有回到柳家，而是選擇了去上海求學，佑堂到底還是追上了詩涵，但詩涵拒絕了他愧疚的愛情，佑堂并沒有放棄，因為他知道，他依然深愛著詩涵，并非因為其他。終于，精誠所至金石為開，三年后，詩涵又向他展開了雙臂。

殺手的反抗

春逝2001

 錄音師李尚優（劉智泰飾）的媽媽早年去世，跟他相依為命的只有爸爸和患上了老人疑呆的奶奶。一個冬天，尚優認識了剛剛離婚的電臺DJ韓恩素（李英愛飾）。 　　恩素到來的目的是為自己的節目收錄一些效果聲音，他們到了一個竹林，用錄音工具錄下了風吹起竹葉的聲音，到一間寺廟錄取風鈴的聲音。他們走遍郊區，四處記錄大自然的聲音。 　　兩人感情發展迅速，春去夏至，李尚優和韓恩素跑到海邊捕捉浪潮聲。年輕的尚優仍然愛得熾熱，但恩素的激情卻開始冷淡下來。曾經歷婚姻失敗的她，始終不相信愛情會永恒不變，未能忘記離婚所帶來的傷痛。而他一直想不通，愛情怎么會無聲無息地溜走？