清雍正皇帝處心鏟除異己，御前侍衛辛康把西域武器血滴子獻皇，這種武器能在百步之外，取人首級，神不知，鬼不覺，雍正秘密組織血滴子特務團；在連續幾次暗殺行動后，成員馬騰發現遭殺者均為無辜義士，不甘淪為殺人工具，趁夜潛出京，惟雍并未放松追捕……
暫無簡介
1950年代，美國女性的社會地位表面看來有了明顯提高，然而在如威斯理般著名的女子大學里，教師們教授學生，仍是一切圍繞將來的好姻緣打轉，并不鼓勵她們主動獲取自己感興趣的知識，也不注重培養她們的心里素質。美麗成熟的凱瑟琳（朱莉婭·羅伯茨 Julia Roberts 飾）大學畢業，懷揣理想和熱情來到該學校擔 任藝術史教師時，便因想散播自由的種子碰壁連連。 然而因為風趣、率直、熱情、淵博，凱瑟琳很快贏得了學生們的喜愛，她的幾個學生，想同男孩一樣干出一番事業的瓊（朱麗婭·斯蒂爾斯 Julia Stiles 飾）、活潑好動的麗薇（瑪吉·吉倫哈爾 Maggie Gyllenhaal 飾）等，也慢慢地展露出真性情。然而，另一名學生貝蒂（克斯汀·鄧斯特 Kirsten Dunst 飾）要結婚的消息，又將自由浪漫的氛圍打破。
圣誕節前夕，波斯尼亞戰爭終于達成停火協議，亞得里亞海上的美軍官兵們即將返回家鄉。海軍領航員伯納中尉（Owen Wilson 飾）早已厭倦這場無意義的戰爭，長官萊斯利（Gene Hackman 飾）出面勸解卻無濟于事。圣誕當天，伯納與搭檔駕駛大黃蜂戰機執行航拍任務，無意中瞥見非安全區中有武裝人員行動，兩人決定介入，卻被對方的薩姆導彈擊落，搭檔被對方處死，伯納僥幸脫險，但對方搜尋人員沿路追蹤不舍。與此同時，接到伯納求救信息的萊斯利苦于北約將軍節制，在所謂顧全大局的考慮下無法介入非安全區搭救伯納，萊斯利只好借助媒體力量甚至不惜盜用盟友設備，展開了一場對落入敵后下屬的拯救行動。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as Fran?ois Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma fran?ais in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
“在最美的地方遇見，同時失去。”在北京打拼的歐陽正東（王東 飾）經歷母親及女友思桐相繼去世，身心備受折磨成為一個“軀殼”，性格扭曲分裂，白日的他，正常工作的冷漠總裁，夜晚來臨時，便行尸走肉，用酗酒摧殘自己，而他的助理池菲兒（肖涵飾）目睹這一切，暗戀并愛上這個男人，渴望安撫時，卻發現歐陽正東內心深處并沒有她的位置，醉酒后的一夜歡愉也只把她當做替身，池菲兒選擇等待，歐陽正東卻選擇通過遠行救贖自己，在這趟遠行中無意撞傷到草原追求理想的富家千金童一彤（貢米飾），導致她失憶，智力停留在十歲，歐陽正東把思桐的名字灌輸了她，而在照顧思桐企圖贖罪的途中，被她的單純打動，愛上了她。 歐陽正東在離天堂最近的地方救贖了自己，也遇見了自己最美的愛情，然而病魔并沒有給他機會擁有。 …
無論如何，扎克（Trevor Wright 飾）看起來都是一個如此陽光、溫柔的男孩，他熱愛沖浪，喜歡學習，藝術素養頗高，而且有著十分難得的家庭觀念。為了照顧姐姐的孩子，他甚至可以放棄讀書的機會。平常的日子里，扎克便和好友蓋布（Ross Thomas 飾）一起玩耍。某天，他結識了蓋布的哥哥肖恩（Brad Rowe 飾）——一個在好萊塢小有名氣的同性戀作家。他們互相欣賞，漸漸為對方所吸引，一段不被親人們所理解的愛情悄悄滋生…… 本片榮獲2007年西雅圖同性戀電影節觀眾獎最佳新人導演和最佳影片獎；2007年坦帕同性戀國際電影節最佳攝影、最佳女配角（Tina Holmes）、最佳影片和最佳男主角（Trevor Wright）4項大獎。
服裝業大亨本·奧古德被人綁架，偵探布萊恩·蒂龍帶著好友喬治·瓦爾茲以及同事們展開營救行動。布萊恩懷疑本的妻子海倫·奧古德和弟弟大衛·奧古德有作案嫌疑。交贖金的當晚劫匪早有準備喬治·瓦爾茲殉職，本乘坐的車爆炸，化為灰燼。一怒之下，布萊恩離開警局在海邊開了一家潛水用品商店。在那里他遇見了海倫。海倫家里接連發生奇怪的事情，只好向布萊恩求助，大衛來到海倫家想要殺掉海倫，然而死去多時的本突然出現，事情愈來愈錯綜復雜……
曾是網球選手的博比（西恩?潘 Sean Penn 飾）最近霉運纏身，先是欠下賭債被債主砍去手指，繼而在前往拉斯維加斯還債途中汽車竟然在一個偏僻的小鎮蘇必略拋錨了。然而，倒霉透頂的博比怎么也沒有想到，他的惡運其實剛剛開始。在蘇必略，博比先是被修車工敲詐，強行扣下了他的車；然后，他在商店又遭到了搶劫，最后，萬分郁悶的他甚至在酒吧喝悶酒都被一個不明所以的青年糾纏，硬是說他和自己女友有染，兩人甚至大打出手。就在此時，博比遇到了一位神秘美女格雷斯（詹妮弗?洛佩茲 Jennifer Lopez 飾）。當他們正在進行好事時，撞見了格雷斯的丈夫杰克。出人意料的是，杰克竟然要求博比干掉格雷斯！怪事一樁接一樁，完全摸不著頭腦的博比最終何去何從？©豆瓣
李世民（莫少聰飾）因好友吳國生（黃日華飾）為已喪命而深感內疚，在情義及責任的驅使下，毅然許下承諾，撫養其子星仔（鄭家麟飾）。星仔生性反叛，令民無所適從，其妻郭可儀（何婉盈飾）更因此離他而去。星仔頓悟自己的不是，與民相依為命，逐漸建立深厚的父子感情，比親生父親更甚。 星仔之母葉芳（梁小冰飾）突然出現，與民爭取星仔的撫養權，但后來民得知星仔之身世，反而同情芳之遭遇。兩人相處日久，民不知不覺愛上芳，可是芳在美國已嫁作人婦，其夫楊文禮（張國強飾）更從美追至。芳處于情義兩難間，不知如何取舍，民與星仔又不知會否逃過分離的命運……
A girl living alone in a post apocalyptic wasteland finds herself hunted down by marauders who want her to fight in their fighting pit for their entertainment.
李易歡（楊紫飾）是前明永歷朝廷的后代，自幼在前明遺老聚集的明珠谷長大，與朱慈煊（李劍卿）（茅子俊飾）、雪傾城（舒暢飾）、葉默聲（韓承羽飾）、樊倩影（孫蔚飾）等師兄妹一同隨師父們習武學藝。長大之后，易歡一行人離開明珠谷，在師父的授意下設法接近康熙（秦俊杰飾） ，試圖尋找以報家族仇恨的機會。易歡與少年康熙從歡喜冤家到兩心相許再到最后不得不反目為仇，真摯的情感和家族的仇恨成為橫亙在他們之間最大的矛盾，其余少男少女們也在承擔師長們給予重任的同時也經歷了各自的愛恨情仇。而康熙以仁德治國的理念最終打動了易歡，她放棄了仇恨并試圖說服小伙伴們不要再為私仇而引發戰亂危害百姓。最終易歡還是決定離開皇宮，與康熙就此相忘于世，相記于心。康熙承諾，會做一代明君，最終一統天下民心，開創了康乾盛世的局面 。